The first look, in contrasting black and white, evoked a chic, saucy nun, her habit swooshing fluidly with every step. This season, Roseberry continued to delve into the world of exaggerated proportions, staying true to the ironic touches that were defining elements of the house’s founder, Elsa Schiaparelli. The answer? A delightful showcase of archetypal couture that was not short of whimsical moments, including a model strutting down the runway in a gigantic sheep fleece, paired playfully with sheep trotter heels. SCHIAPARELLI: ROSEBERRY’S WHIMSICAL WONDERLANDĪfter breaking the internet with his last show in January, featuring eye-catching animal heads, the question on everyone’s lips was how designer Daniel Roseberry could match the energy - and controversy - with his latest couture outing for Schiaparelli. The house’s designer Hedi Slimane called it “inconsiderate” to hold a runway show when the French capital was “bereaved and bruised.” Other LVMH houses such as Dior, which went ahead to stage runways like most other brands, held a different view. The Celine menswear show, like last season, was scheduled outside the official men’s calendar. CELINE SAID “NON” BECAUSE OF RIOTSįrench house Celine, owned by LVMH Moët Hennessy Louis Vuitton, decided to cancel its Paris Fashion Week show Sunday over the nationwide riots. He recognized the legitimacy of the protests, saying, “There are things going on that really have a legitimate cause.”Īmidst such tragedies, he said, the vital role of art and beauty underscored their significance as essential sources of hope. Reflecting on the tension, Luhrmann acknowledged the deep-seated sorrow and public outcry pervading Paris. The protests, triggered by the tragic police shooting of Nahel, a 17-year-old boy of north African descent, stand in stark contrast to the haute couture spectacle, a contrast that Luhrmann described as a “paradoxical energy in Paris.” In an interview at Paris’ Rodin Museum before the Dior couture show, acclaimed director Baz Luhrmann touched on the complex issue of attending a glamorous fashion event amidst the backdrop of recent civil unrest in France. “PARIS’ PARADOXICAL ENERGY”: BAZ LUHRMANN SPEAKS ON COUTURE AND CONFLICT Later on Sunday, Lombard officials closed theatres, cinemas and other places where people might crowd, for at least seven days, as confirmed cases in Italy jumped to at least 152.In Chiuri’s hands, the essence of femininity – with its strength and fragility – took center stage. The Italian National Fashion Chamber said in a statement early Sunday that there were no indications from health officials that changes in the schedule were called for, adding that it was up to brands to decide if they would go ahead.Īmong the nine shows scheduled, only Armani made changes. Models stopped along the runway while the 85-year-old Armani took a bow to the virtual audience. The show ended with what notes said was a "message of love for China", where the virus first broke out. The Armani models moved across a dark background, giving contrast to pink, teal and pearl gray pants and skirts, while black velvet jackets blended in with the dark background. It was the first time the 45-year-old Milan fashion house has taken such a step out of public health concerns, although Armani did stage a show in an empty venue in Paris in 1998 after officials said the big tent posed a safety hazard. Armani to support national efforts in safeguarding public health". MILAN - Faced with the spread of coronavirus and out of concerns for guests' health, fashion designer Giorgio Armani made a last-minute decision to stream his runway show from an empty theatre during Milan Fashion Week on Sunday.Īrmani announced the runway show would be conducted in an empty showroom and streamed for the fashion public on the internet as a "preventative measure decided by Mr. Armani holds Milan Fashion Week runway show from empty theater amid coronavirus outbreak.
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